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In comic books, the Thor series has long been among the most otherworldly of Marvel titles.

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The most cynical and calculating part of it all is that the movie never really finds a justification for its existence-except, that is, as a bald-faced set-up for The Avengers. It’s a shame that director Jon Favreau didn’t place more of the film in the hands of his actors where the first Iron Man was a character-driven delight-something of a thinking-man’s blockbuster-the sequel succumbs to, well, sequel-itis, opting instead to crank up the special effects and noise and hope for the best. Just as you think there’s about to be some payoff for yet another overlong sequence spent plumbing Stark’s family history, or watching Mickey Rourke’s Vanko pace like a caged animal and generally devour scenery, the movie abruptly shifts gears and tosses in another joyless chase sequence or string of explosions. Michael Burginįor all of its star power and CGI wizardry (some of the action scenes seem perfectly calibrated to tickle your superfan receptors), Iron Man 2 can’t quite manage the balance between plot development and action. No one will ever claim The Incredible Hulk is one of the best MCU efforts, but it deserves credit for being one of the first.

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Besides being encouraging evidence that Marvel knew how to better handle its recently reclaimed property, such moves make some of the less sensible moments-and there are plenty-easier to overlook. (But hey, let’s show the deaths of the Waynes or of Uncle Ben one more time … we may have forgotten!) As the titular smasher of puny things, it’s hard to say whether Edward Norton is better than Eric Bana (in fairness, Bana never got a fair shot), but what can be said is this iteration actually gives viewers more Hulk (and more quickly) than its predecessor, and it trots out an actual Hulk-specific villain in Tim Roth’s Abomination.

Just the second entry in the still brand new MCU, Louis Leterrier’s film also does something that we wish more films would do: Get the origin story out of the way in the opening credits. If it achieved nothing else, The Incredible Hulk deserves credit for picking up the ball from Ang Lee’s 2003 version, throwing it away, buying a new ball and pretending that radioactive tree poodle never happened.

Eternals is unlikely to leave audiences wanting more (or remembering much), though it may well whet the appetite for the day when the Fantastic Four and X-Men finally arrive. But there’s no real magic, Marvel or otherwise, happening here. If Eternals had merely been an enjoyable ensemble one-off-an Ocean’s Eleven or Knives Out of the MCU’s very own!-that could have been delightful.

Instead, it feels like a well-shot but rather densely packed educational film on some other comic universe, one filled with off-brand heroes and the usual array of power sets. Instead, it just kinda … occupies time? Oh, plenty of things happen, but, weighed down by 11 or so narrative arcs of mostly “bland new” superheroes-creator Jack Kirby’s signature style and energy is mostly absent-while also dutifully doling out a millennia-spanning, massively predictable larger plot, Eternals never really feels that connected to the greater MCU. In fact, it doesn’t really frustrate at all. Here’s our ranking of every movie in the Marvel Cinematic Universe, worst to best:Ĭhloé Zhao’s Eternals is not a film that frustrates because it misses an obvious target, plunges down the wrong path or even mangles the source material. There will be plenty of bad superhero films in the future-no genre is immune to that-but meanwhile, I’m going to enjoy this particular Golden Age. With all due respect to those whose profess genre fatigue at the prospect of 3-4 comic book films a year, I’m not tired one whit. The mere fact this robust collage is now possible stirs within me a sense of joy and awe at the achievement that’s hard to explain to folks who didn’t spend the ’70s and ’80s being forced to accept that the limitations of studio imagination and, to be fair, CGI were preventing the characters who came to life in the pages I devoured from coming to life on the Big Screen. As I sat awaiting the first scenes from Black Panther, I was struck by how amazing it is that the opening animation to all MCU films, which was once a flipping of pages showing scenes from Marvel comics-usually aligned to match whichever character the film was featuring-was now made up of pictures of the actual movie characters themselves. Mild snark aside, it has been an incredible run for this particular Disney-owned billion-dollar movie machine. After 14 years and 29 films, it’s time to participate in the most hallowed of internet traditions and rank us some Marvel Cinematic Universe offerings!